Wednesday, January 29, 2020

The vulnerable stage Essay Example for Free

The vulnerable stage Essay Considering that young adults in the developmental stage is considered by Kolberg to be in transition from level I to II, and that it is in this stage skills in consensus and social communication is in a rapid stage of development. Conceptual of relative social orders either accepting or rejecting conventions is becoming apparent. True there is level III which is abstraction and definition of universal principles such justice and ability to identify possible social changes, this may or may not occur. There may be a rejection but without an appropriate abstract conceptualization appropriate to the level and conflicts are not thoroughly processed. In effect we can see a cross road in a young adult’s social path or gaining of experiences. One path leads to the social integration along the moral stages as described by Kolberg and a path of rejection and hence alienation from the social mainstream. Deciding to do something as drastic as suicide is not only due to alienation which is the first risk situation but could be reinforce by experiencing someone close committing suicide or what could be a manifestation of Bandura’s modeling. We take note that if two situations combined could result to greater alienation, e. g. losing someone means minus one in the primary grouping to which an individual belong, which could result to greater alienation. There is also observation such as history of mental illness which could be taken as indicator of a possible high risk but nonetheless, strong primary group support could make the recovery less painful, lesser stigma. The nature of primary groups of adolescent also shows some strain, family values or social perspectives also changes and peers as it suggest were also adolescents with their characteristic grappling for their own sense of inner and social order into which they could model their life. The youth is a transition stage, of differentiation to individual inclinations and most important they could be open to ideas which may be far out or improper at their level of psychological and emotional maturity. The Internet explodes information and opened up access even to the young but without supervision or social processing involving the previous generation. Thus the youth are exposed to for example, pornography, violence and other beliefs and concepts which may not be appropriate to capacity of the youth to process in their own. We take note that ratiocinative amplifiers of aids to thinking included ideas, beliefs, concepts or ways which are open for experimentation by the youth. In such an open knowledge societies, the model or reference groups are necessarily fluid. It could be argued that attaining stage 4 of level II in Kolberg’s moral stages model may strengthen the individual enough as stage 3 of living according to certain ideals or consensus requires certain level of intellectual and emotional maturity hence a higher level of abstract conceptualization and possibly greater appreciation and usage of the amplifiers to become a more productive individual. But regression is possible especially in extreme social cases and exacerbated by the lack of support system. What is clear at this time is there are social factors which prevents formation of risk situations and there are factors which encourages self annihilation.

Tuesday, January 21, 2020

Female Stereotypes In The Media Essay -- Papers

Female Stereotypes In The Media In the media the most common female stereotypes, are the housewife and the blonde bimbo. The Housewife. Chained to the kitchen sink, always cleaning and cooking. An old stereotype. In the advertisement for Shake `n Vac a woman is doing the vacuuming and dancing around shaking Shake `n' Vac on the floor. This is a stereotype for the reason that a man is nowhere to be found. But in advertisements for intelligent matters like finance, it's always a man. At first, when I saw the advertisement for Mc Cain's chips, I thought the woman in it wasn't stereotypical, as she was not cooking the meal, the man was. But after a while I saw that this was just for a joke, as at the end you saw that the man was only able to cook a tray of oven chips and he doesn't even know whether they have a chip pan or not, as the dialogue goes, Man: à ´I spent ages making these chips, slicing the potatoes, frying them in the chip panà  .à ¶ Woman: à ´What chip pan?à ¶ The Mirror's cartoon section has had a cartoon that's been there for years and years called Andy Capp. (See picture A)This cartoon follows the life of a stereotypical northern husband and wife. In the edition I looked at, there's a picture of Andy's wife carrying a bucket and a cloth, walking into the kitchen, blanking the husband whose lying on a couch nearby. He asks à ´What's the matter pet? Is it something I did? à ¶ And she shouts back à ´How? When's the last time you did anything?à ¶ In all of the cartoons, Andy never did any housework, as far as he was concerned that was women's work and he always expected his dinner to be on the table when he came home from ... ... like in the advertisement for shake and vac. The reason why stereotypes exists are usually because when people make up characters (for TV scripts, film scripts, etc.) it's easier to use the image of a woman that someone is familiar with. Most writers are male. As they don't know much about them and they can only write about what they know about, they have to use the images they have of women in their heads. It's the same with other stereotypes, i.e. French people in the media always wear berets and have onions round their necks. When will our views change completely? I think, although new stereotypes are appearing and old ones are evolving, it will take time. But the women will always be portrayed, because they're the child bearers, as being chained to the kitchen sink and planning what to have for dinner.

Sunday, January 12, 2020

Development system Essay

Over much of the twentieth century, the foremost edges of economic development and growth were mainly identifiable with sectors distinguished by varying degrees of mass production, as expressed in large-scale machine systems and an unrelenting drive to product standardization and cost cutting. all through the mass-production era, the dominant sectors evolved through a progression of technological and organizational changes focused above all on process routinization and the exploration for internal economies of scale. These features are not particularly conducive to the injection of high levels of aesthetic and semiotic content into final products. Certainly, in the 1930s and 1940s many commentators – with supporters of the Frankfurt School (Adorno, 1991; Horkheimer, 1947) being among the most vocal – expressed grave misgivings concerning the steady incursion of industrial methods into the globe of the cultural economy and the concomitant tendency for multifarious social and emotive content to be evacuated from forms of popular cultural production. These doubts were by no means out of place in a framework where much of commercial culture was focused on an enormously narrow approach to entertainment and disruption, and in which the powerful forces of the nation-state and nationalism were bend in considerable ways on creating mass proletarian societies. The specific problems raised by the Frankfurt School in regard to popular commercial culture have in definite respects lost some of their urgency as the economic and political bases of mass production have given way before the changes guided in over the late 1970s and early 1980s, when the new economy started its ascent. This is not to say that the modern cultural economy is not associated with a number of staid social and political predicaments. Although it is also the case that as commercial cultural production and consumption have developed in the major capitalist societies over the last few decades, so our aesthetic and ideological judgments concerning their underlying meanings have lean to shift. The rise of post-modern social and cultural theory is one significant expression of this development. Creative Industries Policy and the Reason of Shift in Terminology â€Å"The idea that cultural or creative industries might be regenerative was the result of changes in the cultural-industries landscape that were themselves in part the product of cultural policy shifts – when cultural policy is understood in the wider sense, to include media and communications† . One other key aspect also goes unnoticed in Hesmondhalgh’s book, which is that the sector itself, the ostensible object of both academic and policy discourse does not distinguish itself in the term â€Å"cultural industries† – at least not instantly. Some are simply unaware of how their activities relay to a range of disparate occupations and businesses. Some are clear in their refusal of the terminology and the company with which they are thus grouped. Certainly, one of the key arguments of the policy advocates is that this sector lacks a essential voice, it needs to convey its demands, needs to become self-conscious as a sector, needs to present itself with the consistency of other economic groups, needs, therefore, to co-operate in its own building as policy object (O’Connor, 1999a). If an necessary part of this discursive operation is the dismantling of fixed oppositions between economics as well as culture then this has to be about the self-perception, individuality (and identification) of cultural producers – the inculcation or adoption of a new kind of what Nigel Thrift calls â€Å"embodied performative knowledge† but can as well be seen as a form of habitus (O’Connor, 1999a, 2000b). â€Å"The notion of culture is constructed through a number of intersecting discourses providing particular means of mobilising the notion and defining its object. These discourses are selectively emphasized to frame cultural (industries) policies† . The cultural industries discourse then is not just policy making but is part of a wider shift in governance, and needs a new set of self-understandings as part of the key skills in a new cultural economy (O’Connor, 2000b). In this sense those apprehensive to advocate cultural industry strategies could be seen as a species of â€Å"cultural intermediaries. â€Å"

Saturday, January 4, 2020

Critical Thinking Process Is Applied Through A 10 Step...

Introduction According to Browne and Keeley, critical thinking is the application of active listening and asking questions in an effort to determine the validity of a speaker or writers claim (2013, p. 4). The critical thinking process is applied through a 10 step identification process: 1) issue and conclusion, 2) reasons supporting the conclusion, 3) ambiguous terms and phrases, 4) values and descriptive assumptions, 5) fallacies, 6) evidence, 7) rival causes, 8) statistics deception, 9) significant omission and 10) reasonable conclusions (Browne Keeley, 2013). Using the 10 step process, I will evaluate an internal memo from Mr. Anil Ravaswami, Vice President of Human Resources, to Ms. Cynthia Castle, CEO, for Cliffside Holding Company of Massapequa (CHCM) and identify the details of the critical thinking process (A. Ravaswami, personal communication, October 10, 2012, p. 3). Issue and Conclusion In an October 10, 2012 memo from A. Ravaswami to Ms. Castle, A. Ravaswami addressed the prescriptive issue regarding the value of a proposal brought forth by Ms. Florence Forsythe, Director of Operations, to subsidize junior insurance executive leadership development training through the Aspen Institute at an approximate annual cost of $200,000.00. According to Mr. Ravaswami, Ms. Forsythe’s proposition is not worth the investment by CHCM (A. Ravaswami, personal communication, October 10, 2012, p. 3). Reasoning In conformity with the Browne and Keeley’s (2013) guidance onShow MoreRelatedThe Best Practices : How The New Quality Movement Is Transforming Health Care1511 Words   |  7 Pagessystem. I believe that author’s involvement with quality issues of health care, knowledge of health news, and his familiarity with the leaders who contributed to improve quality of health care compelled him to write this book. The book provides a through history of innovations taken place in the US medicine including the statistics and few individual cases. 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